{"id":7575,"date":"2020-04-05T17:06:36","date_gmt":"2020-04-05T08:06:36","guid":{"rendered":"https:\/\/www.b-ok.de\/?page_id=7575"},"modified":"2020-06-18T15:16:52","modified_gmt":"2020-06-18T06:16:52","slug":"larp-design","status":"publish","type":"page","link":"https:\/\/www.b-ok.de\/de\/larp-design\/","title":{"rendered":"Larp-Design"},"content":{"rendered":"Dem Ansatz der&nbsp;&#8222;Performance Ethnography&#8220; (<a href=\"https:\/\/uk.sagepub.com\/en-gb\/asi\/performance-ethnography\/book226197\" target=\"_blank\" rel=\"noopener noreferrer\">Denzin 2003<\/a>) und ihrem Grundsatz&nbsp;&#8222;Show, don&#8217;t tell&#8220; folgend, versuche ich meine Forschungsergebnisse in eine erfahrbare Form zu bringen. Larps (Live-Action Rollenspiele) machen es m\u00f6glich, die Lebenswelten anderer erfahrbar zu machen, und bieten sich daher als Methode f\u00fcr dieses Unterfangen an. In einem k\u00fcrzlich erschienen Artikel habe ich dargestellt, wie <a href=\"https:\/\/www.academia.edu\/27700348\/Live-Action_Role-Play_or_the_Performance_of_Realities\" target=\"_blank\" rel=\"noopener noreferrer\">Larps Realit\u00e4ten schaffen<\/a> (in&nbsp;<i>Simulation and Gaming in the Network Society<\/i>, Kaneda et al. 2016), und erkunde aktuell die M\u00f6glichkeiten von Lerneffekten durch Larps in einem akademischen Kontext.<\/p>\n<!-- \/wp:post-content -->\n\n<!-- wp:paragraph -->\n<p>Unten finden sich die Design-Dokumente von Larps, die ich (ko-)kreiert habe bzw. aktuell entwickle.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Staying Alive:&nbsp;A Live-Action Roleplay about Judging A Human\u2019s Worth<\/h3>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>Co-scripted with Julia Becker<\/em>. 2015.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u201cStaying Alive\u201d is a drama about a commission\u2019s questioning and judging of ordinary citizens about their worth for human society. This live-action roleplay in the Nordic tradition takes place in a hearing room setting with inquisitors, aspirants and an unlimited number of people acting as members of the commission. A participating audience is also present, making the game a good introduction for non-larpers\/spectators. This is a larp which questions our societal systems, social interactions and the consequences of expressing random judgments.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em><strong>Keywords<\/strong><\/em>: Absurd realism, black box, improvisation, larp, live-action roleplay, post-apocalypse<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Genre<\/strong>: Absurd realism<br>\n<strong>Duration<\/strong>: 2 hours<br>\n<strong>Actual play time<\/strong>: 1.5 hours<br>\n<strong>Number of participants<\/strong>&nbsp;(min,max): 15, unlimited<br>\n<strong>Number of organisers<\/strong>: 2<br>\n<strong>Workload<\/strong>: Simple<br>\n<strong>Possible locations<\/strong>: Black box, gallery, classroom, conference room<br>\n<strong>Equipment<\/strong>: Tables, chairs, a podium or a stand for the Aspirants<br>\n<strong>Playing style<\/strong>: Realistic, but with plenty of improvisation<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Design Document<\/strong>:&nbsp;<a href=\"https:\/\/www.b-ok.de\/download\/larp\/kamm_becker_StA2015.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">PDF<\/a>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Village, Shelter, Comfort<\/h3>\n<!-- \/wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>Co-scripted with Kat\u014d K\u014dhei<\/em>. 2016.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This is a larp about feelings of comfort and safety pitched against the necessity to leave the source of these emotions behind. Dealing with the question of leaving the familiar or staying behind, the larp moves from the fantastic to the everyday in three scenarios, a remote pseudo-medieval village facing a plague, a post-apocalyptic shelter running out of resources, and a single room, in which the different mental and emotional faculties of a single person are faced with suddenly diminishing comfort. How would you choose? The known threat or the unknown salvation?<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em><strong>Keywords<\/strong><\/em>: Abstract realism, black box, improvisation, larp, live-action roleplay,&nbsp;withdrawal<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><b>Genre<\/b>: Abstract to absurd realism<br>\n<b>Duration<\/b>: 5.5 hours<br>\n<b>Actual play time<\/b>: 3.5 hours<br>\n<b>Number of participants<\/b>&nbsp;(min-max): 3-7 (always an odd number)<br>\n<b>Number of organisers<\/b>: 2<br>\n<b>Workload<\/b>: Medium<br>\n<b>Possible locations<\/b>: Black box, gallery, classroom, conference room<br>\n<b>Equipment<\/b>: Some small items (chains, pins, sashes) to differentiate players; a laptop<br>\n<b>Playing style<\/b>: Realistic, but with plenty of improvisation<br>\n<b>Food and drink<\/b>: Some snacks and water<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Design Document<\/strong>:&nbsp;<a href=\"https:\/\/www.b-ok.de\/vsc_larp\/#VSC_DesignDoc\">2017 Version<\/a><\/p>\n<!-- \/wp:paragraph -->","protected":false},"excerpt":{"rendered":"<p>Dem Ansatz der&nbsp;&#8222;Performance Ethnography&#8220; (Denzin 2003) und ihrem Grundsatz&nbsp;&#8222;Show, don&#8217;t tell&#8220; folgend, versuche ich&#8230; <a class=\"read-more\" href=\"https:\/\/www.b-ok.de\/de\/larp-design\/\">Read More<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-7575","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2XtUo-1Yb","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/pages\/7575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/comments?post=7575"}],"version-history":[{"count":1,"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/pages\/7575\/revisions"}],"predecessor-version":[{"id":7952,"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/pages\/7575\/revisions\/7952"}],"wp:attachment":[{"href":"https:\/\/www.b-ok.de\/de\/wp-json\/wp\/v2\/media?parent=7575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}