{"id":1869,"date":"2016-09-05T04:20:44","date_gmt":"2016-09-05T02:20:44","guid":{"rendered":"http:\/\/www.b-ok.de\/?p=1869"},"modified":"2020-06-18T15:17:55","modified_gmt":"2020-06-18T06:17:55","slug":"the-power-of-100-yen-larp-in-japan","status":"publish","type":"post","link":"https:\/\/www.b-ok.de\/ja\/japanese-studies\/the-power-of-100-yen-larp-in-japan\/","title":{"rendered":"100\u5186\u306e\u529b \u2013 \u65e5\u672c\u306b\u304a\u3051\u308b\u30e9\u30fc\u30d7"},"content":{"rendered":"<p>\u65e5\u672c\u306eLARP(\u30e9\u30a4\u30d6RPG)\u3068\u767e\u5747\u306e\u30d1\u30ef\u30fc\u306b\u3064\u3044\u3066\u306e\u767a\u8868\u3001<a href=\"https:\/\/www.lit.kobe-u.ac.jp\/~eajs2016\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u7b2c\u4e8c\u56deEAJS\u65e5\u672c\u4f1a\u8b70<\/a>\u3001\u795e\u6238\u5927\u5b66\u30012016\u5e749\u670824\u65e5\u300117\u664215\u5206\u3002<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>The history of live-action role-playing (larp) in Japan, a mixture of improv-theatre and role-playing game, is rather short. The practice awoke broader interest mostly since 2012 through the abridged and commented Japanese translation of <em>DragonSys<\/em>, a German larp rule system.<\/p>\n\n\n\n<p>As young as fantasy and sci-fi larp is in Japan, it faces a number of material constraints, one of which is the actual or perceived limited accessibility of space \u2013 Japan\u2019s largest larp group meets in a community centre instead of in the woods, on camping grounds, or in a castle. Also limited is the availability of larp paraphernalia common in Europe.<\/p>\n\n\n\n<p>Japan\u2019s larpers do have access to an extraordinary source for equipment, though: 100-Yen-Shops, <em>hyakkin<\/em>. These shops offer a broad variety of products for just 100 Yen, useful for larping as outlined by Japan\u2019s first \u201chow-to-larp\u201d publications. This paper discusses the development and current state of larp in Japan: How did \u201cEuropean-style\u201d fantasy larp come to Japan? How was this practice adapted to local circumstances? How is it related to sibling practices, such as <em>cosplay <\/em>(masquerading) and pen &amp; paper role-playing? The paper analyses the ways of appropriation including the discursive <em>and<\/em> material constraints practitioners are entangled with.<\/p>\n\n\n\n<p>Conceptualizing larp as a network of heterogeneous human and non-human elements, the practice in Japan is hardly defined by a somewhat special \u201cJapaneseness\u201d but produced through the tracing of connections between these various elements. \u201cJapanese-style\u201d fantasy larp combines \u201cglobal\u201d elements of larping with \u201clocal\u201d materials so that the practice is (continuously) reassembled.<\/p>\n\n\n\n<p><strong>\u30ad\u30fc\u30ef\u30fc\u30c9<\/strong>: \u767e\u5747\u3001\u5145\u5f53\u3001\u7570\u7a2e\u30cd\u30c3\u30c8\u30ef\u30fc\u30af\u3001\u65e5\u672c\u3001\u7269\u8cea\u7684\u5236\u7d04\u3002<\/p>\n\n\n\n<p><strong>\u539f\u7a3f<\/strong>: Kamm, Bj\u00f6rn-Ole. 2015. \u201cDie Kraft von nur 100 Yen \u2013 Larp in Japan\u201d [\u305f\u3060\uff11\uff10\uff10\u5186\u306e\u30d1\u30ef\u30fc\u30fb\u65e5\u672c\u306eLARP]. In <em>LARP: Zeug. Aufsatzsammlung Zum Mittelpunkt 2015<\/em>, edited by Rafael Bienia and Gerke Schlickmann, 17\u201336. Braunschweig: Zauberfeder Verlag.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u65e5\u672c\u306eLARP(\u30e9\u30a4\u30d6RPG)\u3068\u767e\u5747\u306e\u30d1\u30ef\u30fc\u306b\u3064\u3044\u3066\u306e\u767a\u8868\u3001\u7b2c2\u6b21EAJS\u65e5\u672c\u5927\u4f1a\u3001\u795e\u6238\u5927\u5b66\u30012016\u5e749\u670824\u65e5\u3002<\/p>\n","protected":false},"author":3,"featured_media":7689,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,30,12],"tags":[35,21,22,24],"class_list":["post-1869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-japanese-studies","category-presentations","category-roleplaying-games","tag-ant","tag-japan","tag-larp","tag-performance"],"jetpack_featured_media_url":"https:\/\/www.b-ok.de\/wp-content\/uploads\/2016\/09\/Hinasaki_Larp-no-susume-scaled.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2XtUo-u9","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/posts\/1869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/comments?post=1869"}],"version-history":[{"count":1,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/posts\/1869\/revisions"}],"predecessor-version":[{"id":7990,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/posts\/1869\/revisions\/7990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/media\/7689"}],"wp:attachment":[{"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/media?parent=1869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/categories?post=1869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.b-ok.de\/ja\/wp-json\/wp\/v2\/tags?post=1869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}